Siegfried Zielinski, a founder of the new field of media archaeology, is Founding Director of the Academy of Media Arts in Cologne, where he is Professor of Media and Communication Studies and is developing a workshop for a variantology of the media. He has published more than a dozen books and many articles. Deep Time of the Media is the second of his books to appear in English. He lectures internationally on the social impact of digital media, the transformations of representation, and communication in interactive and networked environments.
Next to the canonical geniuses of the past, Siegfried Zielinski introduces us to a host of unknown philosophers, visionaries, and inventors who turn out to be great precursors to the world of modern media.
DEEP TIME OF THE MEDIA : TOWARD AN ARCHAEOLOGY OF HEARING AND SEEING BY TECHNICAL MEANS
His book will not only encourage the revision of received wisdom in the history of ideas and of science, but also inspire the geniuses of the future. Deep Time of the Media is a revealing book that only Siegfried Zielinksi could have written. It is a book that does't legitimize our contemporary technological culture as the logical outcome of a long cultural evolution but instead sees media history as a dynamic process shaped by the accident al and the imaginative.
- Something Deadly This Way Comes!
- Lucio Fulci: Beyond the Gates.
- The density, compressibility and atomic weight of argon. II?
Zielinski broadens our view by transgressing different time periods and knowledge fields and exploring obscure archives where hermetics and alchemy reveal the genius of misfits and the art of unforeseen events. We know that to understand the world, we have to understand the media.
To understand the media, and our times, we have to understand the deep time of the media. Siegfried Zielinski argues that the history of the media does not proceed predictably from primitive tools to complex machinery; in Deep Time of the Media, he illuminates turning points of media history-fractures in the predictable-that help us see the new in the old.
Deep Time of the Media: Toward an Archaeology of Hearing and Seeing by Technical Means
Drawing on original source materials, Zielinski explores the technology of devices for hearing and seeing through two thousand years of cultural and technological history. He discovers the contributions of "dreamers and modelers" of media worlds, from the ancient Greek philosopher Empedocles and natural philosophers of the Renaissance and Baroque periods to Russian avant-gardists of the early twentieth century. He describes models and machines that make this connection: including a theater of mirrors in sixteenth-century Naples, an automaton for musical composition created by the seventeenth-century Jesuit Athanasius Kircher, and the eighteenth-century electrical tele-writing machine of Joseph Mazzolari, among others.
Uncovering these moments in the media-archaeological record, Zielinski says, brings us into a new relationship with present-day moments; these discoveries in the "deep time" media history shed light on today's media landscape and may help us map our expedition to the media future.
http://arnoudtest.gitlab.host/come-the-swine-a-supernatural-thriller.php In addition, he has recently published the monograph What is Media Archaeology , as well as edited a range of publications on media theory. Parikka is online at jussiparikka.
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